HOME
New Current Issue
Premiere Issue; No. 1
Collector's Issue No. 2
Collector's Issue No. 3
Collector's Issue No. 4
Collector's Issue No. 5
Compilation Issue No. 6
Special Issue No. 7
Article Index
Photo Index
Book Reviews
Movie Reviews
Music Reviews
Editor's Comments
About Us

Links to Our Friends
Order by Mail
Order Online  
 

Aldo Sambrell
El Bandido Perfecto

Story by: C. Courtney Joyner
Interview by: C. Courtney Joyner, Ed G. Lousararian and Steve Kiefer

Aldo Sambrell

    The ABC Drive-In in Nevelle Island, Pennsylvania is a long way from the flats of Almeria, Spain, the prime shooting location for hundreds of Euro-Westerns. But that's exactly where I first saw Aldo Sambrell, slashing at Burt Reynolds, in a faded-purple print of Navajo Joe. At the time the film was almost 10 years old and despite ragged splices, a battered screen and a dozen or so sound drops, Sambrell made a mighty impression.
    In film after film, working with the famous and the forgotten, Aldo Sambrell's presence has enhanced more than 140 movies and countless television episodes. He has acted, written and directed. And he has killed. How many heroes has he ambushed and tortured, only to be gunned down for his efforts?
    Riding out of the burning hills of Spain, Aldo Sambrell proved to be the deadliest of the deadly. The ultimate Bandido Number One. But the brooding killer of The Texican, The Hellbenders and the "Dollar" films was smiling wide when I told him during a conversation one summer afternoon that he was such a fixture in these films that he was the "Ben Johnson of Italian Westerns." Aldo laughed and said, "Thank you! Ben Johnson is beautiful!"
    Born Alfredo Sanchez Brell in Madrid in 1937, Aldo Sambrell/'s first interest wasn't acting or film, but music. His accomplishments as a singer and composer led the young talent to Mexico for a time; and while under engagement there, he somehow fell right into cinema and soon landed his first screen appearance as a peasant in Nicholas Ray's King of Kings (1961). The following year he appeared in his first Western, Fuera de la Ley (Billy the Kid) directed by horror-star Paul Naschy's collaborator, Leon Klamivsky. Sambrell had no idea it would lead to a career in the saddle. "When I was going to do my first Western," Aldo says with a smirk, "they asked me how well I could handle horses. Aid I said very poetically with much conviction, 'Beautiful.' And I had never seen a horse before in my life! But being a physical actor, I learned! I have always liked Westerns very much, even before I ever acted in them There is much to love concerning Westerns."
    These small roles led to two films back-to-back with cult director Joaquin Merchant......................


Please note:  Articles shown on WildestWesterns.com are not shown in their entirety,
as those are reserved for those who purchase the magazine!

Wildest Westerns is published by Wildest Westerns Publishing,
1146 N. Central Ave., #316; Glendale, CA. 91202.
Nothing in Wildest Westerns may be reprinted without written
permission by the publisher. All care, but no responsibility assumed,
for unsolicited manuscripts. All letters addressed to Wildest Westerns
or its contributors assumed intended for publication.
Wildest Westerns
is not responsible for claims made by advertisers.
All contents © 2006.

WildestWesterns.com is owned by
Wildest Westerns Publishing

1146 North Central Ave. Suite 316, Glendale, CA 91202
Fax: 818-247-0646
© 2006 Wildest Westerns Magazine, All Rights Reserved
Site Design and Maintenance by: Miller Specialties