Although there
have been other books about the legendary Western series, nothing published
before has ever come close to Ben Costello's amazing accomplishment.
Costello's 576-page chronicle is a lively and thoroughly researched work
that does honor to its subject.
Starting with an overview of the show's origins from radio series to
television, Costello pays special homage to producer Norman Macdonnell.
Macdonnell and John Meston were the men behind the radio show starring
William Conrad, and when CBS wanted to develop the show for television, they
decided to bring in movie and TV veteran Charles Marquis Warren (after Don
Siegel turned the series down). The contentious Warren is credited with
assembling many of the cast and then creating more problems than solutions
when the series went before the cameras. Warren left the series for
Rawhide and Macdonnell stepped in at last and pushed the series to its
early artistic heights. All of this is excellently covered by Costello, and
his conclusions are backed up by extensive interviews with the cast,
producers and directors. Armed
with the production background of the first seasons, Costello turns his
attention to the cast with nice, compact profiles of each series regular
including stalwarts James Arness, Amanda Blake, Milburn Stone, Ken Curtis
and Glenn Strange. The profiles are complemented by chapter-length
interviews with co-stars Dennis Weaver, Burt Reynolds and Buck Taylor that
prove fascinating. As the
longest running drama on television, Gunsmoke had a large turnover of
producers, writers and directors. Costello documents these changes in
separate chapters that are bolstered with quotes from production personnel
and CBS network correspondence. In the chapter entitled "The Producers",
Costello details the problems when director Phillip Leacock took over the
one-hour show only to be happily replaced by John Mantley, who steered the
series to its greatest ratings by emphasizing high-profile guest stars like
Bette Davis. "The Directors" and
"The Writers" chapters focus not only on the talents behind the camera, but
also the weekly struggle to meet deadlines and get the show on the air.
Costello's interviews with directors like Andrew McLaglen (95 episodes),
Mark Rydell, Harry Harris and others provide insight to the grinding
process. "The Writers" sheds light on the early work of Katherine Hite, on
of the few women writing Westerns, and a young TV scribe named Sam Peckinpah.
Peckinpah worked on the half-hour shows, adapting the radio scripts of John
Meston..................................................................
Ben Costello's Gunsmoke: An American Institution
is a well-thought and finely researched record of a cultural landmark. The
book is a must-have for anyone interested in the history of broadcast
television, and for Western fans it is essential. |